What AI changes in the job, task by task
Creation itself is the most exposed: producing 2D and 3D images (a score of 0.61 out of 1), formulating a design concept (0.59), sketching layouts and illustrations (0.56). Working with others is less exposed: scoping the brief with the client (0.41), supervising production (0.38), negotiating design solutions with clients and teams (0.37).
Creating two-dimensional and three-dimensional images depicting objects in motion or illustrating a process, using computer animation or modelling programmes
ExposedFormulating design concepts for the subject to be communicated
ExposedPreparing sketches, diagrams, illustrations and layouts to communicate design concepts
ExposedDetailing and documenting the selected design for production
ExposedUndertaking research and analysing functional communication requirements
ExposedDesigning complex graphics and animation to satisfy functional, aesthetic and creative requirements of the design brief
ExposedSelecting, specifying or recommending functional and aesthetic materials and media for publication, delivery or display
LowDetermining the objectives and constraints of the design brief by consulting with clients and stakeholders
LowSupervising or carrying out production in the chosen media
LowNegotiating design solutions with clients, management, sales and production staff
Low
Source: ILO, Generative AI and Jobs, Working Paper 140, 2025.
Neighbouring jobs
Digital content jobs are more exposed than graphic design: web design sits at the highest level of the index, advertising and writing at gradient 3. Photographers are at gradient 1, and visual artists are not exposed.
Web and Multimedia Developers
Very highly exposed
Advertising and Marketing Professionals
Highly exposed
Authors and Related Writers
Highly exposed
Graphic and Multimedia Designers· this job
Moderately exposed
Photographers
Slightly exposed
Visual Artists
Barely affected
Limits
The ILO index is global and describes the tasks of the international classification: graphic designers, illustrators, animators and art directors are linked to the same code (2166) by the European ESCO classification. Its 2025 scores were largely produced by AI models, then checked against a survey of workers and expert panels: they are estimates, not measurements. Opening counts only cover Brevy's catalogue.